Bound

 

I can still see the spine of the thin book,

a pasted label with an illustrated woman’s face,

draped In tradition and mystery:

Great Jewish Women. A pasted label

on the red front cover,

in the Hebrew School’s library. How

the stories of Sarah, Rebecca,

Rachel, and Leah brought me

to my people’s early days in the desert,

to their struggles and satisfactions.

 

I glued myself to their pages, reading on

about Miriam and Deborah, attaching

myself to more modern times of

Penina Moise, Rebecca Gratz,

and Emma Lazarus.

 

My memory stuck to these stories.

When I saw the book again at a book sale

at the Center for Jewish History,

I had to have it. With this book in my hands,

I once again ran the long-gone hallways

of Congregation B’nai Israel’s

basement classrooms and the library.

 

I pasted myself to other stories, too.

The Lower East Side immigrants

In Sydney Taylor’s All of a Kind Family. I

substituted my own grandparents arriving

from Poland, my grandmother with her parents,

settling in among the soot and poverty

but with dreams of uptown or Brooklyn.

 

I pull Great Jewish Women from my shelves

today, flip through the table of contents.

It’s no wonder that I went on to research

Penina Moise and Emma Lazarus

at the American Jewish Archives,

reading diary and writings.

The glue still sticks.

 

~

 

 

Listen

Hern zey mir, my grandchildren who do not know

your Jewish heritage. I will tell you

about your great-grandmother Lillian,

great-grandfather Milton, and their parents

as I knew them. I will pepper my speech

with Yiddish phrases you should know,

call them up from your bone marrow.

I will call you bubbeleh, kiss your keppele,

Give you a shmeck of kugel and kreplach.

 

Listen, my granddaughters whose legs

itch to dance like Lillian, who draw

like me, who kvetch like us all.

 

Slushai, my grandchildren, whose

grandfather came from Odessa,

taught your father no Russian. But

I did. I sang him Malenkii Motya

when he was a baby, a song I made up

as I rocked him in his grandma blanket

that you now have.

 

When you’re ready, you’ll see

the family tree in Ancestry. If you come

to visit, I’ll show you pictures. Ingrain

those images, burn them into memory.

Because even if those photos disappear,

even when I’m gone, you’ll always be able to see them.

 

 

~

 

The Space Between I and We

 

I am Rivka. They took me to the Tarnopol Ghetto, and then to Belzec. I die, the Torah in my heart. As my ashes rise, my sister Chava in America, my brother Chaim Leib in Siberia, reach for them, and pull them into the pages of their prayers.

 

I am Chana. They took me to the Tarnopol Ghetto, and then to Belzec. I die, and my ashes dance with those of my sister, Rivka, those of our husbands, and children. I pray for Chava and Chaim Leib to catch us and remember the streets of Kozlow, the Baron Hirsch school, our father’s bloodied butcher’s apron. Our goat, Frima.

 

We are Naftala Hersh and Srul, veterans of the Great War’s Austrian Army, brothers of Rivka and Chana. If only we’d followed Chava to America. If only we didn’t polish our war medals, thinking we’d be safe. If only.

 

We don’t know if Chava and Chaim Leib caught us. There is no one to say Yizkor, no one to light Yahrzeit. And so, all of us, we die again and again.

 

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