אמא
with an extended index-finger tracing circles in the air
you said: “the end must be the beginning it’s all a big loop”
lounging around in suburban New Jersey
nested in sweaters & thick wooden chairs, we were bound
by the many-colored trees of autumn
whose curious beauty unlocks an ability to spin sorrow
just as when we embrace each other’s memories
imagining each memory weaves a memory of the imagining
you displayed the beginning as the end by tracing circles in the air
allowing me now to recall how together we once cried
on a plane to your home country while you
younger than I am now—with me
less than a year old—flying to your mother’s funeral
though no one had let you imagine how
your mother burnt herself in an oven to return to her beginning
which—according to what you said—must be her end
but beyond the possibility of being stuck in these cycles
what drives us to speak & interweave our webs of pain?
just as you waited till the night before I moved to Israel
to announce to me before our family & community
what your father did tell you the night before you left:
“I’m not worried—your children will return”
the vaulted Mamluk corridors
the vaulted Mamluk corridors
beside the men’s section
of the Western Wall
air-conditioned & filled
with black & white suit wearing worshippers
for Yom Kippur
& amidst my obsessive thoughts
looping modular synthesizers & women
Jerusalem Syndrome emerged
so I began to remove my clothing
moving towards the deepest corner
continuing to undress in that cave
as half the men ran off
& half the men approached me
everyone yelling
& I wished they would rip me to shreds
marking my death as an example
of their murderous intentions
but they just held me down
as one ripped off my genitals
before they lifted me up
the crowd carried me to a medic
& I was transported to a hospital
as an anonymous case of sterility
I want to be buried
I want to be buried
secretly
in the Yehuda Amichai neighborhood
while a ceremony in the Valley of the Cross
spreading the ash of burnt chicken feathers
fools my loved ones
I want to construct
a Magic Gardens
in an empty lot in Talpiot
whose mazes will consist of mosaiced glass broken
while being imported to Maḥaneh Yehuda
or the Old City
I want to prove
that the Palestinians
are mostly of Israelite descent
as much as the Torah
is not written by G-d
any less than any other book
I want to expose the blindness
of positive people
to the depths of the words that they use
as pits of temporary despair
waiting for them to fall
into a purifying darkness
I want to show
that the value of being ridiculous
corresponds infamously with the conquering of fears
& instead of trying to record
momentous meaning
sporadically emerging imperfections
I want to prove
that the aesthetic value of participation
fluctuates with local rent prices
in an inverse proportion
that hardens the hearts of artists
who refuse to move
I want to demonstrate
that I don’t need the approval
of mothers brothers or any others
instead of being tempted
so strongly
towards my usual silence
___________
Lonnie Monka is a poet, writer, and PhD student researching David Antin’s avant-garde oral poetics at Hebrew University. In addition to publishing and performing poems, Lonnie enjoys presenting poetry-related projects in art spaces. In recent years, Lonnie has teamed up with Tel Aviv programmer-poet Eran Hadas to install live transcription stations in local galleries, inviting people to explore the creative potential that emerges as voice meets technology. Lonnie is also the founding director of Jerusalism, an initiative dedicated to promoting Israeli literature in English through events and publications.