Strap on your stilts & raise a wreath to the monument. 

For Leonardo’s missing rib, a sundial in a sun extinct 

prepare a flood of adjectives. To the tranquil, pious hands. 

(Her bald head’s no mistake, should you decide.) 

 

The two-dimensional made concrete… & yet 

it’s the ambivalent you climb to find, the famous ‘absent’. 

Do squint. Far in the background, almost invisible 

is Judas, patron saint of suicides, hanging from a dead branch 

 

          & further, beyond the frame, the movement of light –  

          Turner’s yellow fever, the vapour of cattle urine 

          collected in the mango orchards of Bihar –  

           India’s yellow dye that Leonardo chose to hide. 

 

Her heart, smaller than a sparrow’s, sleeps patiently.  

In the name of brilliant pigments, on Aug. 21, 1911  

Vincenzo Peruggia will sneak from the dark broom closet 

to rescue & drag her home – there, dimmed 

 

by applications of varnish, humidity kept at 50% ±10% 

her skin cracked only slightly. Obscured by death, 

behind the coarse landscape, Leonardo crawls under 

the warping panel to touch-up a faded eyebrow. 

 

           The decision’s yours. Argue Turner couldnt manage figures 

           but no one could steal his light. Scars & wrinkles, Yes. Still  

           da Vinci’s dry rocks, the aqueduct, the whole list of despair 

           fails the testimony of the fluorescent, omnivorous halo 

 

of Turner’s scoundrel veil. 

 

William Turner saturates such paintings as Ovid Banished from Rome in his signature Indian yellow – for ‘the painter of light’ it was immaterial whether Ovid actually appears on the canvas (see here)

Vincenzo Peruggia, an Italian patriot employed at the Louvre, abducted the Mona Lisa & kept her in his apartment, hidden for two years. 

 

________

Marty Newman was born in Czechoslovakia, raised in Montreal, Canada, educated at McGill University & lives in Jerusalem where he studies ancient languages & texts. The modern poets he most admires are Dan Pagis, Richard Wilbur, Zbigniew Herbert & Vasko Popa.

Nine of Marty’s poems appear in the current issue (CK 31:1) of Common Knowledge (published by Duke University). His poems also appear in Image Journal, in The Raritan Quarterly Review (Rutgers University) & in Britain, in Standmagazine (Leeds University). In Israel, his poems have appeared numerous times in arc (Tel-Aviv) & in The IlanotReview.

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